Death and the Miser

Death and the Miser was part of a now divided triptych (along with ship of fools and the Allegory of Gluttony and Lust) where it was painted on the inside right panel. Death and the Miser belongs to the tradition of the memento mori, works that remind the viewer of the inevitability of death. The painting shows the influence of popular 15th-century handbooks on the art of dying (Ars moriendi), intended to help Christians choose Christ over sinful pleasures. There are references in the painting to dichotomous modes of life. A crucifix is set on the only window of the room. A thin ray of light is directed down to the bottom of the large room, which is darkened. A demon holding an ember lurks over the dying man, waiting for his hour. Death is dressed in flowing robes. In the foreground, Bosch possibly depicts the miser as he was previously, in full health, storing gold in his money chest (which abounds with demons) while clutching his rosary. Symbols of worldly power such as a helmet, sword and shield allude to earthly follies — and hint at the station held by this man during his life, though his final struggle is one he must undergo naked, without arms or armor. The depiction of such still-life objects to symbolize earthly vanity, transience or decay would become a genre in itself among 17th-century Flemish artists. While an angel points and looks upward to a crucifix from which a slender beam of light descends; as Death looms, the miser's gaze and hand are directed downward , unable to resist worldly temptations, reaches for the bag of gold offered by a temping demon. Whether or not the miser, in his last moments, will embrace the salvation offered by Christ or cling to his worldly riches, is left uncertain.