Machinery
1920 · Gouache and graphite on paperboard (Beaver Board)
Dimensions : 24 x 19 7/8 in. (61 x 50.5 cm)
Collection: Metropolitan Museum of Art
Credit Alfred Stieglitz Collection, 1949
This painting was first shown in an exhibition of Demuths works titled Arrangements of the American Landscape Forms, held at the Daniel Gallery in New York in 1920. Rather than a traditional landscape scene, it depicts industrial architecture in his hometown of Lancaster, Pennsylvania. Despite some abstract use of force lines and fragmented planes, the subject remains identifiable. It is a scene of rooftop machinery set against a background of windows belonging to an adjacent factory building; the central structure is a cyclone separator, a centrifuge-like apparatus often used in industrial settings, consisting of a tank, a funnel, and two armlike duct pipes. Like Demuths painting The Figure 5 in Gold (49.59.1), this work was dedicated to his close friend, the poet William Carlos Williams. Williams himself contemplated the analogy between the arts and technology. In 1944, he wrote,
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About this artwork
Machinery (1920) by Charles Demuth, gouache and graphite on paperboard (Beaver Board), from the Metropolitan Museum of Art collection.
About Charles Demuth
Charles Henry Buckius Demuth (November 8, 1883 – October 23, 1935) was an American watercolorist who turned to oils late in his career, developing a style of painting known as Precisionism.
More by Charles Demuth
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