The Blind Girl

The Blind Girl (1856) is a painting by John Everett Millais which depicts two itinerant beggars, presumed to be sisters, one of whom is a blind musician, her concertina on her lap. They are resting by the roadside after a rainstorm, before travelling to the town of Winchelsea, visible in the background. The painting has been interpreted as an allegory of the senses, contrasting the experiences of the blind and sighted sisters. The former feels the warmth of the sun on her face, and fondles a blade of grass, while the latter shields her eyes from the sun or rain and looks at a double rainbow that has just appeared. Some critics have interpreted the rainbow in Biblical terms, as the sign of God's covenant described in Genesis 9:16. When the painting was first exhibited in 1856 it was pointed out to Millais that in double rainbows the inner rainbow inverts the order of the colours. Millais had originally painted the colours in the same order in both rainbows. He altered it for scientific accuracy. A tortoiseshell butterfly rests on the blind girl's shawl, implying that she is holding herself extremely still. The sheet around her neck is captioned "Pity the Blind". "The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854. The two girls in the foreground and the middle ground were added later in Perth in 1855. The models were Matilda Proudfoot as the blind girl and Isabella Nichol as her younger sister. Millais had first used his wife Effie but then replaced her with Matilda. The scene deals with the contemporary social problem of vagrancy, focusing on the predicament of children and the disabled. Tate has a pencil drawing of the younger girl in a standing position."