The concert
1665 · oil on canvas
Dimensions (64.7 x 72.5 cm)
Collection: Art Whisperer
On the night of March 18, 1990, thieves disguised as policemen stole 13 works out of the Isabella Stewart Gardner Museum, including The Concert. To this day the painting has not resurfaced; it is thought to be the most valuable work currently unrecovered, with a value estimated at over $200,000,000. The Concert shows three musicians: a young woman sitting at a harpsichord, a man playing the lute, and a woman who is singing. The harpsichord's upturned lid is decorated with an Arcadian landscape; its bright coloring stands in contrast to the two paintings hanging on the wall to the right and left. A viola da gamba can be seen lying on the floor. The musicians' clothing and surroundings identify them as members of the upper bourgeoisie. The male lute player, for instance, wears a shoulder belt and a sword. Despite its simplicity, the black and white marble flooring is luxurious and expensive. Of the two paintings in the background, the one on the right is The Procuress by Dirck Van Baburen, which belonged to Vermeer's mother-in-law, Maria Thins. The work also appears in his Lady Seated at a Virginal, probably painted some six years after The Concert. The painting on the left is a wild pastoral landscape. The musical theme in Dutch painting in Vermeer's time often connoted love and seduction, but in this case the feeling is more ambiguous.
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About this artwork
The concert (1665) by Johannes Vermeer, oil on canvas, from the Art Whisperer collection.
About Johannes Vermeer
Johannes Vermeer (October 1632 – December 1675), in original Dutch Jan Vermeer van Delft, was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague.
More by Johannes Vermeer
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