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Kultura
1,561

The School of Athens

Dimensions 500 × 770 cm

Collection: Art Whisperer

The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens, representing Philosophy, was probably the third painting to be finished there, after La Disputa (Theology) on the opposite wall, and the Parnassus (Literature). The picture has long been seen as "Raphael's masterpiece and the perfect embodiment of the classical spirit of the Renaissance". The painting is notable for its accurate perspective projection. The identities of some of the philosophers in the picture, such as Plato and Aristotle, are certain. Beyond that, identifications of Raphael's figures have always been hypothetical. To complicate matters, beginning from Vasari's efforts, some have received multiple identifications, not only as ancients but also as figures contemporary with Raphael. Vasari mentions portraits of the young Federico II Gonzaga, Duke of Mantua, leaning over Bramante with his hands raised near the bottom right, and Raphael himself. He was writing over 40 years after the painting, and never knew Raphael, but no doubt reflects what was believed in his time. Many other popular identifications of portraits are very dubious.

ArtWhispererfloraskycolorfuldrinks

1,561 collected·2,407 zoomed·11 comments·1 boards

This artwork is in 1 board

About this artwork

The School of Athens (1511) by Raphael (Raffaello Sanzio da Urbino), fresco, from the Art Whisperer collection.

About Raphael (Raffaello Sanzio da Urbino)

(March 28 or April 6, 1483 – April 6, 1520) Raffaello Sanzio da Urbino known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur.

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