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Kultura
67

Venice: The Punta della Dogana

Francesco Guardi avatar
Francesco Guardi

1780s · Oil on canvas

Dimensions 18.7 x 23.8 cm

Collection: National Gallery, London

This scene shows the Dogana da Mar (Customs House), which was built in about 1677, and the entrance to the Grand Canal. Over the gateway to the canal is a golden globe with a weather vane in the shape of Fortune, personified as the mistress of the sea. With almost no land, Venice depended on maritime trade for its existence, and Fortune’s billowing sail indicates that the winds of fortune are inconstant. A little further back, boats arrive at the harbour and sailors unload cargo and pay customs charges to enter the city’s waterways.Guardi has captured movement with animated brushwork – the hardworking merchants and fishermen are made up of skilful flicks of thickly applied paint – and used thinner layers of paint to capture the effects of changing light on the water. Buildings and masts, described using rough black lines, seem to pierce the light, cloudy sky.

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About this artwork

Venice: The Punta della Dogana (1780s) by Francesco Guardi, oil on canvas, from the National Gallery, London collection.

About Francesco Guardi

Francesco Lazzaro Guardi (Italian pronunciation: [franˈtʃesko ˈgwardi]; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.

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